“Forbidden Cargo” (1954) is ultimately, properly a crime film, with
settings that match a spy thriller and plot twists true to the police/customs
procedural, but its holding quality is so inexplicably soft and gentle that
somehow it’s neither of these, a uniquely quiet B-movie treasure. Directed by
Harold French, it stars the utterly charming Nigel Patrick as Michael Kenyon: a
brisk, bright customs investigator who has to figure out how to prevent a large
consignment of smuggled drugs from reaching England’s shores, cleverly picking
up clues and delicately courting danger on the way. There’s all the sparkling
tense elegance of the continental, sailing martini set (with a beautiful
Elizabeth Sellars) and all the patient, thoughtfully revealed routine of a
diligent detective mystery, but at its heart there’s a hazy detachment and
disconnect, distracted by something larger, more lasting, more binding: maybe
the odd and provincial postwar/peacetime order of ‘England, someone’s England’
(in fact, if you needed any more convincing, it also stars PC Dixon himself,
lovely Jack Warner).
Have you ever read ‘North Coast Recollections’ by
Betjeman? “Then pealing out across the estuary / The Padstow bells rang up for
practice-night / An undersong to birds and dripping shrubs. / The full Atlantic
at September spring / Flooded a final tide-mark up the sand, / And ocean sank
to silence under bells, / And the next breaker was a lesser one / Then lesser
still. Atlantic, bells and birds / Were layer on interchanging layers of sound.”
It’s a little like that, I feel: Kenyon is hot on the trail of his criminals
driven by a tight, engaging plot and crisp compelling dialogue, but it’s all
rhythmically awash between damp England with its cold pebbly shores and
peaceful mackerel skies to the Riviera Coast with its silky ruffled waves and
velvety wee-hour depths, a preserved past in strange familiar places. Add to it
a young eccentric Joyce Grenfell and you get a lovely rainy Sunday sort of film
(even better when it’s not a rainy Sunday too, like today) Xo
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